巴黎圣母院第一章节英文版|请介绍下国内外出名药妆``越多越好`

threehundredandforty-eightyears,sixmonths,andnineteendaysagoto-day,theparisiansawoketothesoundofallthebellsinthetriplecircuitofthecity,theuniversity,andthetownringingaful**eal.
thesixthofjanuary,1482,isnot,however,adayofwhichhistoryhaspreservedthememory.therewasnothingnotableintheeventwhichthussetthebellsandthebourgeoisofparisinafermentfromearlymorning.itwasneitheranassaultbythepicardsnortheburgundians,norahuntledalonginprocession,norarevoltofscholarsinthetownoflaas,noranentryof"ourmuchdreadlord,monsieurtheking,"norevenaprettyhangingofmaleandfemalethievesbythecourtsofparis.neitherwasitthearrival,sofrequentinthefifteenthcentury,ofsomeplumedandbedizenedembassy.itwasbarelytwodayssincethelastcavalcadeofthatnature,thatoftheflemishambassadorschargedwithconcludingthemarriagebetweenthedauphinandmargueriteofflanders,hadmadeitsentryintoparis,tothegreatannoyanceofm.lecardinaldebourbon,who,forthesakeofpleasingtheking,hadbeenobligedtoassumeanamiablemientowardsthiswholerusticrabbleofflemishburgomasters,andtoregalethemathish?teldebourbon,withavery"prettymorality,allegoricalsatire,andfarce,"whileadrivingraindrenchedthemagnificenttapestriesathisdoor.
whatputthe"wholepopulationofparisincommotion,"asjehandetroyes*******esit,onthesixthofjanuary,wasthedoublesolemnity,unitedfromtimeimmemorial,oftheepiphanyandthefeastoffools.
onthatday,therewastobeabonfireontheplacedegrève,amaypoleatthechapelledebraque,andamysteryatthepalaisdejustice.ithadbeencried,tothesoundofthetrumpet,theprecedingeveningatallthecrossroads,bytheprovost'smen,cladinhandsome,short,sleevelesscoatsofvioletcamelot,withlargewhitecrossesupontheirbreasts.
sothecrowdofcitizens,maleandfemale,havingclosedtheirhousesandshops,throngedfromeverydirection,atearlymorn,towardssomeoneofthethreespotsdesignated.
eachhadmadehischoice;one,thebonfire;another,themaypole;another,themysteryplay.itmustbestated,inhonorofthegoodsenseoftheloungersofparis,thatthegreaterpartofthiscrowddirectedtheirstepstowardsthebonfire,whichwasquiteinseason,ortowardsthemysteryplay,whichwastobepresentedinthegrandhallofthepalaisdejustice(thecourtsoflaw),whichwaswellroofedandwalled;andthatthecuriousleftthepoor,scantilyfloweredmaypoletoshiverallalonebeneaththeskyofjanuary,inthecemeteryofthechapelofbraque.
thepopulacethrongedtheavenuesofthelawcourtsinparticular,becausetheyknewthattheflemishambassadors,whohadarrivedtwodayspreviously,intendedtobepresentattherepresentationofthemystery,andattheelectionofthepopeofthefools,whichwasalsototakeplaceinthegrandhall.
itwasnoeasymatteronthatday,toforceone'swayintothatgrandhall,althoughitwasthenreputedtobethelargestc****edenclosureintheworld(itistruethatsauvalhadnotyetmeasuredthegrandhallofthechateauofmontargis).thepalaceplace,encumberedwithpeople,offeredtothecuriousgazersatth****dowstheaspectofasea;intowhichfiveorsixstreets,likesomanymouthsofrivers,dischargedeverymomentfreshfloodsofheads.thewavesofthiscrowd,augmentedincessantly,dashedagainsttheanglesofthehouseswhichprojectedhereandthere,likesomanypromontories,intotheirregularbasinoftheplace.inthecentreoftheloftygothic*fa?adeofthepalace,thegrandstaircase,incessantlyascendedanddescendedbyadoublecurrent,which,afterpartingontheintermediatelanding-place,flowedinbroadwavesalongitslateralslopes,--thegrandstaircase,isay,trickledincessantlyintotheplace,likeacascadeintoalake.thecries,thelaughter,thetramplingofthosethousandsoffeet,producedagreatnoiseandagreatclamor.fromtimetotime,thisnoiseandclamorredoubled;thecurrentwhichdrovethecrowdtowardsthegrandstaircaseflowedbackwards,becametroubled,formedwhir**ools.thiswasproducedbythebuffetofanarcher,orthehorseofoneoftheprovost'ssergeants,whichkickedtorestoreorder;anadmirabletraditionwhichtheprovostshiphasbequeathedtotheconstablery,theconstablerytothe~maréchaussée~,the~maréchaussée~toour~gendarmeri~ofparis.
*thewordgothic,inthesenseinwhichitisgenerallyemployed,iswhollyunsuitable,butwhollyconsecrated.henceweacceptitandweadoptit,likealltherestoftheworld,tocharacterizethearchitectureofthesecondhalfofthemiddleages,wheretheogiveistheprinciplewhichsucceedsthearchitectureofthefirstperiod,ofwhichthesemi-circleisthefather.
thousandsofgood,calm,bourgeoisfacesthrongedth****dows,thedoors,thedormerwindows,theroofs,gazingatthepalace,gazingatthepopulace,andaskingnothingmore;formanyparisianscontentthemselveswiththespectacleofthespectators,andawallbehindwhichsomethingisgoingonbecomesatonce,forus,averycuriousthingindeed.
ifitcouldbegrantedtous,themenof1830,tomingleinthoughtwiththoseparisiansofthefifteenthcentury,andtoenterwiththem,jostled,elbowed,pulledabout,intothatimmensehallofthepalace,whichwassocrampedonthatsixthofjanuary,1482,thespectaclewouldnotbedevoidofeitherinterestorcharm,andweshouldhaveaboutusonlythingsthatweresooldthattheywouldseemnew.
withthereader'sconsent,wewillendeavortoretraceinthought,theimpressionwhichhewouldhaveexperiencedincompanywithusoncrossingthethresholdofthatgrandhall,inthemidstofthattumultuouscrowdinsurcoats,short,sleevelessjackets,anddoublets.
and,firstofall,thereisabuzzingintheears,adazzlementintheeyes.aboveourheadsisadoubleogivevault,panelledwithwoodcarving,paintedazure,andsownwithgoldenfleurs-de-lis;beneathourfeetapavementofblackandwhitemarble,alternating.afewpacesdistant,anenormouspillar,thenanother,thenanother;sevenpillarsinall,downthelengthofthehall,sustainingthespringofthearchesofthedoublevault,inthecentreofitswidth.aroundfourofthepillars,stallsofmerchants,allsparklingwithglassandtinsel;aroundthelastthree,benchesofoak,wornandpolishedbythetrunkhoseofthelitigants,andtherobesoftheattorneys.aroundthehall,alongtheloftywall,betweenthedoors,betweenth****dows,betweenthepillars,theinterminablerowofallthekingsoffrance,frompharamonddown:thelazykings,withpendentarmsanddowncasteyes;thevaliantandcombativekings,withheadsandarmsraisedboldlyheavenward.theninthelong,pointedwindows,glassofathousandhues;atthewideentrancestothehall,richdoors,finelyscu**tured;andall,thevaults,pillars,walls,jambs,panelling,doors,statues,c****edfromtoptobottomwithasplendidblueandgoldillumination,which,atrifletarnishedattheepochwhenwebeholdit,hadalmostentirelydisappearedbeneathdustandspidersintheyearofgrace,1549,whendubreulstilladmireditfromtradition.
letthereaderpicturetohimselfnow,thisimmense,oblonghall,illuminatedbythepallidlightofajanuaryday,invadedbyamotleyandnoisythrongwhichdriftsalongthewalls,andeddiesroundthesevenpillars,andhewillhaveaconfusedideaofthewholeeffectofthepicture,whosecuriousdetailsweshallmakeanefforttoindicatewithmoreprecision.
itiscertain,thatifravaillachadnotassassinatedhenriiv.,therewouldhavebeennodocumentsinthetrialofravaillacdepositedintheclerk'sofficeofthepalaisdejustice,noaccomplicesinterestedincausingthesaiddocumentstodisappear;hence,noincendiariesobliged,forlackofbettermeans,toburntheclerk'sofficeinordertoburnthedocuments,andtoburnthepalaisdejusticeinordertoburntheclerk'soffice;consequently,inshort,noconflagrationin1618.theoldpalaiswouldbestandingstill,withitsancientgrandhall;ishouldbeabletosaytothereader,"goandlookatit,"andweshouldthusbothescapethenecessity,--iofmaking,andheofreading,adescriptionofit,suchasitis.whichdemonstratesanewtruth:thatgreateventshaveincalculableresults.
itistruethatitmaybequitepossible,inthefirstplace,thatravaillachadnoaccomplices;andinthesecond,thatifhehadany,theywereinnowayconnectedwiththefireof1618.twootherveryplausibleexplanationsexist:first,thegreatflamingstar,afootbroad,andacubithigh,whichfellfromheaven,aseveryoneknows,uponthelawcourts,aftermidnightontheseventhofmarch;second,théophile'squatrain,--
"sure,'twasbutasorrygamewhenatparis,damejustice,throughhavingeatentoomuchspice,setthepalaceallaflame."
whatevermaybethoughtofthistripleexplanation,political,physical,andpoetical,oftheburningofthelawcourtsin1618,theunfortunatefactofthefireiscertain.verylittleto-dayremains,thankstothiscatastrophe,--thanks,aboveall,tothesuccessiverestorationswhichhavecompletedwhatitspared,--verylittleremainsofthatfirstdwellingofthekingsoffrance,--ofthatelderpalaceofthelouvre,alreadysooldinthetimeofphilipthehandsome,thattheysoughtthereforthetracesofthemagnificentbuildingserectedbykingrobertanddescribedbyhelgaldus.nearlyeverythinghasdisappeared.whathasbecomeofthechamberofthechancellery,wheresaintlouisconsummatedhismarriage?thegardenwhereheadministeredjustice,"cladinacoatofcamelot,asurcoatoflinsey-woolsey,withoutsleeves,andasur-mantleofblacksandal,ashelayuponthecarpetwithjoinville?"whereisthechamberoftheemperorsigismond?andthatofcharlesiv.?thatofjeanthelandless?whereisthestaircase,fromwhichcharlesvi.promulgatedhisedictofpardon?theslabwheremarcelcutthethroatsofrobertdeclermontandthemarshalofchampagne,inthepresenceofthedauphin?thewicketwherethebullsofpopebenedictweretorn,andwhencethosewhohadbroughtthemdeparteddeckedout,inderision,incopesandmitres,andmakinganapologythroughal**aris?andthegrandhall,withitsgilding,itsazure,itsstatues,itspointedarches,itspillars,itsimmensevault,allfrettedwithcarvings?andthegildedchamber?andthestonelion,whichstoodatthedoor,withloweredheadandtailbetweenhislegs,likethelionsonthethroneofsolomon,inthehumiliatedattitudewhichbefitsforceinthepresenceofjustice?andthebeautifuldoors?andthestainedglass?andthechasedironwork,whichdrovebiscornettetodespair?andthedelicatewoodworkofhancy?whathastime,whathavemendonewiththesemarvels?whathavetheygivenusinreturnforallthisgallichistory,forallthisgothicart?theheavyflattenedarchesofm.debrosse,thatawkwardarchitectofthesaint-gervaisportal.somuchforart;and,asforhistory,wehavethegossipingreminiscencesofthegreatpillar,stillringingwiththetattleofthepatru.
itisnotmuch.letusreturntotheveritablegrandhalloftheveritableoldpalace.thetwoextremitiesofthisgiganticparallelogramwereoccupied,theonebythefamousmarbletable,solong,sobroad,andsothickthat,astheancientlandrolls--inastylethatwouldhavegivengargantuaanappetite--say,"suchasliceofmarbleaswasneverbeheldintheworld";theotherbythechapelwherelouisxi.hadhimselfscu**turedonhiskneesbeforethevirgin,andwhitherhecausedtobebrought,withoutheedingthetwogapsthusmadeintherowofroyalstatues,thestatuesofcharlemagneandofsaintlouis,twosaintswhomhesupposedtobegreatinfavorinheaven,askingsoffrance.thischapel,quitenew,havingbeenbuiltonlysixyears,wasentirelyinthatcharmingtasteofdelicatearchitecture,ofmarvellousscu**ture,offineanddeepchasing,whichmarkswithustheendofthegothicera,andwhichisperpetuatedtoaboutthemiddleofthesixteenthcenturyinthefairylikefanciesoftherenaissance.thelittleopen-workros****dow,piercedabovetheportal,was,inparticular,amasterpieceoflightnessandgrace;onewouldhavepronounceditastaroflace.
inthemiddleofthehall,oppositethegreatdoor,aplatformofgoldbrocade,placedagainstthewall,aspecialentrancetowhichhadbeeneffectedthroughawindowinthecorridorofthegoldchamber,hadbeenerectedfortheflemishemissariesandtheothergreatpersonagesinvitedtothepresentationofthemysteryplay.
itwasuponthemarbletablethatthemysterywastobeenacted,asusual.ithadbeenarrangedforthepurpose,earlyinthemorning;itsrichslabsofmarble,allscratchedbytheheelsoflawclerks,supportedacageofcarpenter'sworkofconsiderableheight,theuppersurfaceofwhich,withinviewofthewholehall,wastoserveasthetheatre,andwhoseinterior,maskedbytapestries,wastotaketheplaceofdressing-roomsforthepersonagesofthepiece.aladder,naivelyplacedontheoutside,wastoserveasmeansofcommunicationbetweenthedressing-roomandthestage,andlenditsruderungstoentrancesaswellastoexits.therewasnopersonage,howeverunexpected,nosuddenchange,notheatricaleffect,whichwasnotobligedtomountthatladder.innocentandvenerableinfancyofartandcontrivances!
fourofthebailiffofthepalace'ssergeants,perfunctoryguardiansofallthepleasuresofthepeople,ondaysoffestivalaswellasondaysofexecution,stoodatthefourcornersofthemarbletable.
thepiecewasonlytobeginwiththetwelfthstrokeofthegreatpalaceclocksoundingmidday.itwasverylate,nodoubt,foratheatricalrepresentation,buttheyhadbeenobligedtofixthehourtosuittheconvenienceoftheambassadors.
now,thiswholemultitudehadbeenwaitingsincemorning.agoodlynumberofcurious,goodpeoplehadbeenshiveringsincedaybreakbeforethegrandstaircaseofthepalace;someevenaffirmedthattheyhadpassedthenightacrossthethresholdofthegreatdoor,inordertomakesurethattheyshouldbethefirsttopassin.thecrowdgrewmoredenseeverymoment,and,likewater,whichrisesaboveitsnormallevel,begantomountalongthewalls,toswellaroundthepillars,tospreadoutontheentablatures,onthecornices,onth****dow-sills,onallthesalientpointsofthearchitecture,onallthereliefsofthescu**ture.hence,discomfort,impatience,weariness,thelibertyofadayofcynicismandfolly,thequarrelswhichbreakforthforallsortsofcauses--apointedelbow,aniron-shodshoe,thefatigueoflongwaiting--hadalready,longbeforethehourappointedforthearrivaloftheambassadors,impartedaharshandbitteraccenttotheclamorofthesepeoplewhowereshutin,fittedintoeachother,pressed,trampledupon,stifled.nothingwastobeheardbutimprecationsontheflemish,theprovostofthemerchants,thecardinaldebourbon,thebailiffofthecourts,madamemargueriteofaustria,thesergeantswiththeirrods,thecold,theheat,thebadweather,thebishopofparis,thepopeofthefools,thepillars,thestatues,thatcloseddoor,thatopenwindow;alltothevastamusementofabandofscholarsandlackeysscatteredthroughthemass,whomingledwithallthisdiscontenttheirteasingremarks,andtheirmalicioussuggestions,andprickedthegeneralbadtemperwithapin,sotospeak.
amongtheresttherewasagroupofthosemerryimps,who,aftersmashingtheglassinawindow,hadseatedthemselveshardilyontheentablature,andfromthatpointdespatchedtheirgazeandtheirrailleriesbothwithinandwithout,uponthethronginthehall,andthethrongupontheplace.itwaseasytosee,fromtheirparodiedgestures,theirringinglaughter,thebanteringappealswhichtheyexchangedwiththeircomrades,fromoneendofthehalltotheother,thattheseyoungclerksdidnotsharethewearinessandfatigueoftherestofthespectators,andthattheyunderstoodverywelltheartofextracting,fortheirownprivatediversionfromthatwhichtheyhadundertheireyes,aspectaclewhichmadethemawaittheotherwithpatience.
"uponmysoul,soit'syou,'joannesfrollodemolendino!'"criedoneofthem,toasortoflittle,light-hairedimp,withawell-favoredandmaligncountenance,clingingtotheacanthusleavesofacapital;"youarewellnamedjohnofthemill,foryourtwoarmsandyourtwolegshavetheairoffourwingsflutteringonthebreeze.howlonghaveyoubeenhere?"
"bythemercyofthedevil,"retortedjoannesfrollo,"thesefourhoursandmore;andihopethattheywillbereckonedtomycreditinpurgatory.iheardtheeightsingersofthekingofsicilyintonethefirstverseofseveno'clockmassinthesainte-chapelle."
"finesingers!"repliedtheother,"withvoicesevenmorepointedthantheircaps!beforefoundingamassformonsieursaintjohn,thekingshouldhaveinquiredwhethermonsieursaintjohnlikeslatindronedoutinaproven?alaccent."
"hediditforthesakeofemployingthoseaccursedsingersofthekingofsicily!"criedanoldwomansharplyfromamongthecrowdbeneathth****dow."ijustputittoyou!athousand~livresparisi~foramass!andoutofthetaxonseafishinthemarketsofparis,toboot!"
"peace,oldcrone,"saidatall,graveperson,stoppinguphisnoseonthesidetowardsthefishwife;"amasshadtobefounded.wouldyouwishthekingtofallillagain?"
"bravelyspoken,siregilleslecornu,masterfurrierofking'srobes!"criedthelittlestudent,clingingtothecapital.
ashoutoflaughterfromallthestudentsgreetedtheunluckynameofthepoorfurrieroftheking'srobes.
"lecornu!gilleslecornu!"saidsome.
"~cornutusethirsutus~,hornedandhairy,"anotherwenton.
"he!ofcourse,"continuedthesmallimponthecapital,"whataretheylaughingat?anhonorablemanisgilleslecornu,brotherofmasterjehanlecornu,provostoftheking'shouse,sonofmastermahietlecornu,firstporteroftheboisdevincennes,--allbourgeoisofparis,allmarried,fromfathertoson."
thegayetyredoubled.thebigfurrier,withoututteringawordinreply,triedtoescapealltheeyesriveteduponhimfromallsides;butheperspiredandpantedinvain;likeawedgeenteringthewood,hiseffortsservedonlytoburystillmoredeeplyintheshouldersofhisneighbors,hislarge,apoplecticface,purplewithspiteandrage.
atlengthoneofthese,asfat,short,andvenerableashimself,cametohisrescue.
"abomination!scholarsaddressingabourgeoisinthatfashioninmydaywouldhavebeenfloggedwithafagot,whichwouldhaveafterwardsbeenusedtoburnthem."

请介绍下国内外出名药妆``越多越好`

一、艾芙美(aderma)：
燕麦清新舒缓保湿霜
最有名的是它们的含有燕麦成份的一系列产品。特别是它们家的燕麦洁肤乳，在所有药妆牌的卸妆产品里算名气很大，很受推崇。
我觉得燕麦洁肤乳很温和低剌激性而且可不用水洗(洗后会更舒服)，用面纸化妆棉擦拭亦可，对有伤口或是作月子那种不能碰水又想清洁皮肤的人应该觉得满幸福的。
二、圣泉薇(saint-gervais)：
圣泉薇修复活肤喷雾
修复活肤水、低敏洁肤皂、低敏洁肤露b保湿乳液、身脸滋养霜有名，它们的活肤水和皮肤是等渗透力，喷上去感觉很舒服，好吸收，而且不用拍干，懒得拍干的人也有不少喜欢这个这款活肤水。
三、施巴(sebamed)：
施巴水份面霜
这个牌子不太像药妆，产品满温和的，连屈臣氏内的特卖也看得到它们家，这和一般要在医药通路才看到得其它药妆牌而论，显得特别。
这个品牌的化妆品价格平实，名声很大。娇颜活性卸妆乳、娇颜水合凝露、洁肤露、f+s保湿洁面露、痘净调理凝露、婴儿润肤乳液都非常有名。
四、舒特肤(cetaphil)：
舒特肤润肤乳
这款产品极度温和，是唯一被美国医师药典收载的皮肤科专用护肤系列，还被推崇为可与皮肤药品合并使用。
这个品牌的产品不像其它品牌的产品那样种类繁多。仅有几样而已，简单有力，温和洁肤凝脂、温和洁肤乳、长效润肤乳、长效润肤霜口碑很好。
异位性皮肤炎、果酸治疗后的肌肤、极干性肌肤、敏感性肌肤也都适合的护肤品。
依个人观察，被很多皮肤有问题的人用过后认为最好用且最能舒缓肌肤的药妆。
五、爱芮儿。珍(janeiredale)：
爱芮儿珍矿物质润泽摩丝
医疗彩妆品牌，产品主要成份是纯天然的微粒矿物质，不阻塞毛孔，用起来满舒服的，喜欢的人很多。
奇幻粉饼、修饰霜、矿物质润泽慕斯(保湿蜜粉)有名。代理商已经将珍爱的中文国际名称改为爱芮儿珍，但还是很多人喜欢把它们家直接叫作珍爱(若是我，我也爱叫它珍爱，好念好记好写啊)。
六、凯娜诗(kinerase)：
凯娜诗-c6缩氨酸抗老收纹修护霜
修护乳液、修护乳霜、高效赋活眼霜是这个品牌的镇牌之宝。
该品牌产品成份特别的是含有植物性生长荷尔蒙凯因庭，成份温和，去除皱纹效果优，fans很多。
因为走高端价位，购买者要有心理准备，先深呼吸一口气。
七、臻水(ddf)：
ddf臻水-活肌退皱精华
成份来自天然的海洋生物、植物、药草，强调成份的精纯是它们家的特色。
虽走高价位，但是有很多人喜欢用。活颜紧致精华、脆红舒缓精华、嫩白抗皱精华眼霜、瞬间保湿抗皱凝露、强效k精华液口碑很好。
八、仙丽施(cellex-c)：
仙丽施水份精华液
仙丽诗有很多的左旋c产品。左旋c浓缩液、海洋精华霜、白晰精华液、维他命b浓缩液是这之中的佼佼者。
市面上的左旋c有分水解型和脂化型：
水解型左旋c，效果快但较刺激，脂化型左旋c，效果较慢但低刺激。
水解型的有**、仙丽施。
脂化型的有妮傲丝翠。
九、**(skinceuticals)：
**左旋c高浓度维他命c精华液
**左旋c的产品是这个品牌的主推产品，口碑很不错。
产品价位也是走高价位的路线。左施c精华液、保湿b5凝胶、精纯眼露、舒柔保湿加强剂、防晒霜spf30、色素修复加强剂都是明星们喜欢选用的产品。
十、妮傲丝翠(neostrata)：
妮傲丝翠果酸深层保养凝胶
妮傲丝翠是最大的医疗果酸品牌，专攻果酸方面的研究，产品满优，爱用的人满多的。果酸深层保养乳液、果酸深层保养凝胶、左旋c高效保湿凝露、乳糖酸乳液、甘草酸凝胶有名。
十一、葆疗美(biopeutic)：
葆疗美－左旋c玫瑰保湿露
葆疗美也有很多果酸产品，虽然和之前的葆疗美不同，但还是有一些些人觉得新的葆疗美也好用。喜欢植酸嫩白露、海藻面膜、保湿面膜的人不在少数。
十二、凯伦赫容(karinherzog)：
凯伦赫容高涵氧活化a霜3％(夜间)
它们家也有果酸产品，但它们家的特色重点是在于高涵氧技术，能将氧气带进肌肤里，让肌肤年轻健康，这也是它们家与众不同的功夫，足厉害。
产品价格虽走高价位，喜欢者众多。高涵氧活化乳霜、去角质活化乳霜、高涵氧活化a酸、高涵氧活化果酸是代表产品。

薇姿的竞争品牌有哪些？？

实在太多了，以下：
neostrata妮傲丝翠（国内叫芯丝翠）
aderma艾芙美
bioderma贝德玛
ddf臻水
exfoliac法黎雅
glyderm果蕾
neova妮欧瓦（别看错，不是妮维雅）
cellex-c仙丽施
biopeutic葆疗美
uriage依泉
laroche-posay理肤宝水（国内叫理肤泉）
saint-gervais圣泉薇
avene雅漾
kinceuticals**
都是知名药妆品牌，目前在国内设有有专柜的是：uriage依泉，laroche-posay理肤宝水，avene雅漾，saint-gervais圣泉薇，然后就是薇姿了。依泉在国内不是用自己的品牌，似乎是一些代理，所以也不算专柜吧，圣泉薇只在一些星级酒店或免税店（包括机场免税店）有专柜，一般商场能看到专柜的就是薇姿，雅漾，理肤泉。所以说，薇姿在国内面临的竞争还小一点~

有谁知道法国有哪些著名酒吧呀！？？？

“海明威”酒吧hemingwaybar
地址:旺多姆广场,里兹酒店-1(第一区)hotelritz-1,placevendome(1er)
电话:0142295000
地铁:金字塔站
营业时间:周二至周六每天18点30分到次日凌晨2点
这间颇有名气的酒吧位于著名的里兹酒店内。海明威和菲茨杰拉德就常去这样的酒吧。人们在这间外观特别漂亮,气氛轻松的酒吧中抽着雪茄,好不惬意,一派盎格鲁撒克逊式的风格。这儿适合情人约会,同样也适合进行商务洽谈。
“调情”footsie
地址：道鲁街10号(第二区）10,ruedaunou(2e)
电话：0142600720
地铁：歌剧院站
我们很难向您提供这间酒吧饮料的确切价格,因为这儿就像股市一样,饮料的价格是随时波动的。购买一杯饮料会使它的价格上涨,同样也会使其它饮料的价格下跌。不过可以向您保证的是,每晚这儿都会有一次或数次出现饮料的最低价格,就像股市暴跌一样。这儿的女招待将点饮料的信息通过手持设备传送给位于地下的中央计算机,由计算机来进行数据处理,最后在大屏幕上每四分钟显示一次最新的饮料价格。
“蜥蜴”咖啡馆lezardcafe
地址：埃蒂安.马塞尔街32号(第二区）32,rueetienne-marcel(2e)
电话：0142332273
地铁：埃蒂安.马塞尔站
营业时间:除周日不营业外,每天9点至次日凌晨2点。
想像蜥蜴一样懒洋洋的晒太阳吗？请来这儿吧,碧绿的广场上舒适的露天座正等待着您的光临呢!您可以一边小口抿着杯中的饮料,一边观赏着周围美丽的风景,时不时还有些最新的传闻飘入您的耳中。所以这儿是了解时尚潮流的最佳地点。在这间装修简朴的小酒吧中,各类夜猫子挤满了整个场所。这儿的服务虽然有时并不能令人满意,但总体上还是不错的。
“套房”咖啡馆l'apparemmentcafe
地址：库蒂尔·圣·热尔韦街18号(第三区）18,ruedescoutures-saint-gervais(3e)
电话：0148871222
地铁：塞巴斯蒂安.佛鲁瓦萨尔站
营业时间：周一至周五每天12点到次日凌晨2点,周六从16点到次日凌晨2点,周日从12点至午夜。
很多人都知道在第八区有一个“套房”餐厅,装饰的像一套住房。实际上,在巴黎还有这么一间“套房”酒吧,它会使顾客有回家的感觉。和朋友们一块来这儿的一间包房,点上几个菜,坐在舒适的长靠背椅上喝上一杯,随便玩上一种游戏。
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“拉博得吉达德尔梅地奥”labodeguitadelmedio
地址：隆巴尔街10号(第四区）10,ruedeslombards(4e)
电话：0144596690
地铁：市政厅站
营业时间：每天15点至次日凌晨2点
这间酒吧的名字与哈瓦那的一家酒吧相同,装修也差不多,都很漂亮。海明威在古巴时就常去哈瓦那的那间酒吧。同样,巴黎的这间酒吧的气氛也同哈瓦那的阳光一样火热。来这儿的人抽着雪茄,说着西班牙语,跳着热情奔放的西班牙“班博”舞。这儿有许多喜欢“博纳·韦斯塔·社会俱乐部”乐队的人。当这只乐队来巴黎时,就会在这儿开演奏会,气氛将会非常热烈!
“天花板上的椅子”lachaiseauplafond
地址：财宝街10号(第四区)10,ruedutrésor(4e)
电话：0142760322
网址：www.cafeine.org
营业时间：每天早晨9点至晚上22点。
这间棒极了的小酒吧总是顾客盈门,以至人们常常要抢座位。它的露天座上摆放着小巧漂亮的板凳。这间酒吧的设施简单但却显得很高雅,气氛也很轻松。这儿是个酷毙了的时尚场所,值得您一去。